PRESS HIGHLIGHTS
arebyte Gallery in The Art Newspaper (2024)
Fragments of a Panorama curator Kinnari Saraiya in FLO London (2024)
Fragments of a Panorama in FLO London (2024)
CULTUS in CURA. (2024)
Homage To Quan Âm in Something Curated (2024)
Homage To Quan Âm in Art Plugged (2024)
Homage To Quan Âm in Woo (2024)
Homage To Quan Âm in FishEye Immersive (2024)
Homage To Quan Âm in Art Plugged (2024)
arebyte Gallery in The Guardian (2024)
Kumbirai Makumbe in BBC (2023)
arebyte interview with Studio International (2023)
CULTUS featured in DAZED (2023)
Zach Blas' CULTUS reviewed in Time Out (2023)
Rock Bottom by Abe Sugarman reviewed in No Proscenium (2023)
Q&A with Abe Sugarman on the National Videogame Museum's Blog (2023)
Danielle Brathwaite-Shirley SHE KEEPS ME DAMN ALIVE by Frieze (2022)
Insight: ‘Futures Past’, an immersive & interactive journey at arebyte Gallery in London features in CLOT magazine (2022)
Danielle Brathwaite-Shirley SHE KEEPS ME DAMN ALIVE featured on Frieze (2022)
Futures Past featured in Photoworks (2022)
Exhibition Profile: FUTURES PAST at arebyte featured in Jing Culture & Crypto (2022)
Open screen featured in Disability Arts Online (2022)
SHE KEEPS ME DAMN ALIVE reviewed in ArtReview (2022)
SHE KEEPS ME DAMN ALIVE featured in CLOT Magazine (2022)
The Evolution of Ent-: QX reviewd in CLOT (2022)
SHE KEEPS ME DAMN ALIVE reviewed in Frieze (2022)
SHE KEEPS ME DAMN ALIVE reviewed in FAD Magazine (2021)
The Evolution of Ent-: QX reviewd in We Make Money Not Art (2022)
SHE KEEPS ME DAMN ALIVE reviewed in Art Monthly (2022)
arebyte’s creative director & curator give insight on London’s crypto art scene online and in print in Financial Times (2021)
Software for Less reviewed in Hyperallergic (2021)
Trickle Down: A New Vertical Sovereignty featured in Spike (2021)
Software for Less reviewed in FAD Magazine (2021)
arebyte creative director Nimrod Vardi selected as 40 under 40 art & tech in Apollo Magazine (2021)
Artist Ben Grosser interviewed for Software for Less online in The Guardian and in print in The Observer (2021)
Artist Ben Grosser interviewed for Software for Less in Ocula Magazine (2021)
arebyte curator Rebecca Edwards gives insight on Software for Less in CLOT Magazine (2021)
Artist Ben Grosser featured in Apollo Magazine (2021)
The Digital Weird listed under Brilliant Things To Do in AnOther (2021)
RGBFAQ featured in CLOT Magazine (2021)
Best Effort Network featured online and in print in Financial Times (2020)
Best Effort Network featured online and in print in The New York Times (2020)
Artist Olia Lialina interviewed for Best Effort Network in Art Forum (2020)
Artist Olia Lialina interviewed for Best Effort Network in Elephant Magazine (2020)
Best Effort Network featured in The Washington Post (2020)
Artist Olia Lialina interviewed for Best Effort Network in The Quietus (2020)
Artist Olia Lialina interviewed in Der Spiegel (2020)
Best Effort Network featured in Art in America (2020)
Raised by Google reviewed in ICON Eye Magazine (2019)
Satellite Devotion featured in TANK Magazine (2019)
World Capital reviewed online and in print in Time Out (2019)
The Green and Pleasant Land reviewed in It’s Nice That (2019)
The Way Things Are featured in TANK Magazine (2018)
Artist Lawrence Lek interviewed for Nøtel in Apollo Magazine (2018)
Artist Louise Ashcroft interviewed for I'd Rather be Shopping in We Make Money Not Art (2017)
Yami-Ichi reviewed in The Guardian (2016)
Karaoke Court featured in The Guardian (2016)
Dissent as an iPhone App featured in Rhizome (2016)
An article by artist Mark Farid about online privacy in The Telegraph (2015)
Artist Nelmarie du Preez interviewed for Autonomous Times in Aesthetica (2015)
arebyte reviewed on Arshake (2015)
arebyte Creative Director Nimrod Vardi interviewed in Digicult (2015)
Seeing-I announced on The Guardian (2014)
Seeing-I announced on Huffington Post (2014)
Seeing-I announced on The Independent (2014)
Seeing-I announced on Dazed Digital (2014)
Seeing-I announced on VICE (2014)